Given the preposterous casting of Olga Kurylenko as a jewel thief and discredited CIA operative, the largely phoned-in performance of Morgan Freeman (not a comment on the quality of his acting – his sporadic appearances in the film are almost entirely limited to being one half of a phone conversation a continent away from the action), and the start-to-stop silliness of the premise, plot, and denouement, the surprising thing about the new thriller Momentum is that it’s not absolutely awful. In fact, it’s even somewhat entertaining and enjoyable and not entirely in the “OMG, this is so bad, it’s good” way.
How can a film destined to be terrible wind up as not too bad? (more…)