Saying that Toni Erdmann is a great film is easy. Explaining why is considerably more difficult. Rarely is a movie so obviously good in the viewing and so elusive in the analysis. A simple synopsis yields few clues as to the work’s manifest virtues. A frustrated career woman is forced to deal with the stresses of her job and the unexpected appearance of her practical jokester of a father, and that is essentially the whole show for two hours and forty-two minutes. And it’s in German. And it’s billed as a comedy. That’s what’s known in the business as a “tough sell.”
Maybe, just maybe, Toni Erdmann is the rare contemporary film for which critics and reviewers can play an outsized role in raising awareness so that audiences don’t miss the opportunity to see an indescribably transcendent work. Bottom line: if you love movies, you have to see this one. Read the rest of this entry »
Meet Mr. Karma 