For many, full immersion into a film festival – that is, seeing between 30 and 40 films in the course of less than two weeks – does not seem a pleasurable or meaningful way to spend one’s life, or even one’s vacation. Considering that in 2014, the average number of movie tickets sold per person in the U.S. for the year was 3.7, the idea of seeing that many films in a day is mind boggling for many. Other than an intense love of film, another explanation exists for why someone would travel 11 hours over two flights to a foreign country, spend 12 nights alone in a hotel, only to watch three or four movies per day – which is the thumbnail itinerary for this critic’s February trip to Germany for Berlinale. Invariably, over the course of the festival, at least a hidden treasure emerges, one film, maybe two, that might otherwise go unnoticed or unreleased internationally. At the 2015 Berlinale, Austrian films Homesick and The Last Summer of the Rich were two gems on display that have been seen only sporadically since their premieres.
At the 2016 Berlinale, Aloys, a Swiss feature that defies categorization, but might be best be described as a post-modern detective flick in which an Asperger Sam Spade goes off in search of himself, was the prize that made the trip worthwhile. (more…)
Meet Mr. Karma 