Archive for the ‘Reviews’ Category

SurvivorHow bad can it be?

Very.

It is natural to take a glance at the new thriller Survivor as a possibility for an evening’s entertainment and come away favorably disposed toward giving it a go. The cast has a slew of familiar names who have been involved in quality productions in the past and been rewarded for it. Survivor boasts an Oscar winner, a Golden Globe winner, a former James Bond, and a Quentin Tarantino resurrection project among the leads: Angela Bassett, Dylan McDermott, Pierce Brosnan, and Robert Forster. The cherry on top is Milla Jovovich, who has single handedly made the Resident Evil series viable. (more…)

San AndreasDisaster movies are like cicadas: noisy, plentiful, routine, and predictable. Fortunately, for most, both are only a minor annoyance. We are made aware of the insects by the unique song a swarm produces. Disaster movies let us know of their arrival in a less subtle manner: a bombastic trailer that reveals the world falling apart around our hero du jour. Our reaction to these occurrences are usually a comment on how time passes: “Didn’t we just have a tornado movie?” or “Is this the every 13-year or 17-year kind?”

The summer of 2015 will see the hatching of both 13-year and 17-year cicadas in North America, and the premiere of San Andreas. One thing is certain right now: the movie represents a particularly nasty infestation in way too many Cineplexes. (more…)

blonde-smokeYou’ve had this one circled and underlined in your appointment book for weeks. As soon as the trailer flashed up on the big white screen in the field a few weeks back during the Coming Attractions break between movies, you swore by all that is unholy that you would be back at the drive-in for the opening weekend of 7 in the Torture Chamber. For aspiring exploitation directors and screenwriters everywhere, always bear in mind that the single most important marketing aspect for your film is a title that grabs the would-be viewer by the goodies and squeezes. You need a title that will have 11-year old boys conspiring to somehow, someway get in to see the film without knowing a single additional thing about it.

7 in the Torture Chamber fits the bill nicely. (more…)

TomorrowlandDisney as cult is not a new concept. The Corporation would never choose such a descriptor, but neither has it ever shied away from behavior that justifies the label. Walt Disney saw his company as the landscapers of the future, the architects of the social engineering that would lead us into a brave, new world that simultaneously held the small town values of a past that never existed with a technology-solves-everything, squeaky clean and dazzlingly white future that could be ours if we purged ourselves of our baser vulgarities. (more…)

Mad MaxFor once, you can buy the hype.

You will see the screaming shout-outs in the Mad Max: Fury Road ads on line, in print, and on TV, and you will ask if it is really that good.

It is.

Mad Max: Fury Road is cinematic insanity. It defies routine film criticism. It exceeds the highest standards of the best moments of the three previous Mad Max films. It kicks ass, over and over and over again.

You will crawl out of an IMAX screening of this movie drained, with drums still pounding in your head. You will scan the horizon for Pole Cats, Gas Boys, War Pups, and Imperators. You will ask yourself, “What the hell did I just see?” (more…)

548790_036It’s decision time at the virtual drive-in. You’ve made it through the first two features of the night, and there’s a third one coming up. It’s a coin flip whether you stick it out and settle back in the vinyl upholstery of the front seat or whether you reholster the heavy metal speaker that’s been resting on your driver side window and join the growing line of cars heading for the exit.

Next up is Assassin’s Game, and all you know is that Tom Sizemore, Bai Ling, and Vivica A. Fox are the above-the-credits talent, and the premise is something about a hitman coming out of retirement to save his son. What the hey? It might turn out as poorly as ordering the deep fried shrimp from the snack bar, but any lingering aftertaste from bad movies and bad shellfish will be forgotten by next weekend. (more…)

MaggieTwenty-five years ago, Maggie would have been a profoundly different movie.

Cast Arnold Schwarzenegger in a zombie movie back then, and the only question would have been whether the one-line wisecracks would have outnumbered the body count.

Skip Arnold and go with the same script of the film that opened this weekend, and Maggie would have been widely viewed as a metaphor for the AIDS epidemic and the societal shunning of its victims.

In 2015, the film is an oddity, neither action adventure nor art house fare, with Schwarzenegger cast against type as part of his second act as a movie star after his hiatus in politics. (more…)

Fun-Size-Horror-HBFun Size Horror: Volume One is the final step of a terrific idea. For Halloween 2014, Zeke Pinheiro rallied his friends and fellow directors into creating a series of horror shorts and releasing them onto the web via select sites that cater to fans of the genre. Now, they’ve been brought together and released via iTunes and VOD as a complete package.

The result is just what the title promises – bite-sized scares that rival more heralded anthologies of late including The ABCs of Death and V/H/S series. It’s a perfect fun pack for pre-gaming your next costume party. Volume Two is reportedly underway for release this fall. (more…)

imageIs cannibalism the flavor of the month?

In 2013, we had a delicious Maori dish served with a side of kiwi in the New Zealand comedy cannibal caper, Fresh Meat. Eli Roth reheated ingredients from classic recipes like Cannibal Apocalypse and Cannibal Holocaust in his 2014 film, The Green Inferno. Even The Walking Dead whipped up a little something at the beginning of season 5 when it turned out that the good folks of Terminus were a match for any zombie when it came to chowing down on their fellow man.

Long pig – it’s not just for hillbillies any more.

(more…)

ex machinaOn the surface, Ex Machina is a state of the art meditation on artificial intelligence with a sleek, somewhat sterile, post-modern sense of the brave new digital world that awaits when Google and Apple turn from making phones and watches to manufacturing brains. Pop the hood and take a look inside the film, however, and you’ll see that Ex Machina‘s circuitry dates back to post-World War II science fiction. Underneath its shiny, new skin, this very welcome oasis of calm, adult entertainment is a robot movie. And like all robot movies, the central question is: what does it mean to be human? (more…)